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Romantic Storage


 



 photography and video by DongWoong Lee

Romantic Storage is an exhibition takes spatial installation that conveys the SeMA Storage, previously used as a reagent warehouse by the Korea Centers for Disease Control and Prevention, into a momentary storage of fragmented information. Artist Shinae Kim approaches and handles the SeMA Storage as a venue that takes shape from a myriad of scattered information and attempts to install it in multiple layers. The SeMA Storage takes form as a structure with recorded vertical, horizontal, and stature information.

The artist incorporates the information, transforming it to binary data and then into structures through this space, to disturb yet catch the viewers’ attention. The works installed in various directions are sometimes connected to the horizontal axis shelf, sometimes to the vertical axis, and interact with the light coming in from the ceiling or extend to the structure on the ceiling to create miscellaneous spatial scenes. In particular, the installation allows viewers to embrace a side of the structure in alignment with various viewpoints, thereby keeping them fully engaged. This venue enables viewers to approach the digital drawing, the shelf on which it is placed, and the space to experience the message conveyed by the artwork. In Romantic Storage, the sensual relationship built through the artwork and the space blending in together gives a new shape along the path where the viewers’ eyes come to rest or follow.

supported by Seoul Museum of Art 

Mark

Slicing Space




slicing vertically 1, 2022, 3D rendering, 21 x 29.7 cm, gallery 1

slicing vertically 2, 2022, 3D renderd video, 4min, gallery 1

slicing with grid, 2022, mineral paper, drawing installation, size variable, gallery 2 

slicing horizontally, 2022, paper and frame, drawing installation, size variable, gallery 3

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The Shiny Feathers of a Peacock







The Shiny Feathers of a Peacock, 2021, 3D printing and chrome plating, dimensions variable

Would it be possible to understand a museum building as an organism? Just as biological beings constantly change through cell divisions, are non-biological beings forming new relationships and transforming over time? The project materializes the process of inanimate beings, animate beings, and their surroundings interacting with one another and building relationships. The solar radiation in Seoul on September 17, 1979, the year that Arko Art Center opened, is divided into 24 hours and presented as patterns on 24 bricks. On September 17, 2021, which is 42 years from the year 1979, these patterns are put into new forms and installed between the red bricks of ARKO Art Center, forming new connections among the building, audiences, and the surroundings—the process of the building’s subjective change—is what this project intends to visualize.
nothing makes itself - ARKO Art Center
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s.e.v.e.n.r.o.o.m.s



s.e.v.e.n.r.o.o.m.s 2020, video installation, 50inch TV, 39 sec. loop



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Form is romantic storage of fragmented information. 


 

* The sentence reflects the main idea: Form emerges as a node of the fleeting movements of information. Information is collected in form and held as reality, but this storage process is "romantic" - it is always only a fragmentary event that is temporal.

Form is romantic storage of fragmented information.
translated to binary code 

01000110 01101111 01110010 01101101 00100000 01101001 01110011 00100000
01110010 01101111 01101101 01100001 01101110 01110100 01101001 01100011
00100000 01110011 01110100 01101111 01110010 01100001 01100111 01100101
00100000 01101111 01100110 00100000 01100110 01110010 01100001 01100111
01101101 01100101 01101110 01110100 01100101 01100100 00100000 01101001
01101110 01100110 01101111 01110010 01101101 01100001 01110100 01101001
01101111 01101110 00101110

0 - white 1 - black



Kunst am Bau (Public Art), Faculty of electro - information technology , Technical University Munich, Germany 2019

3D visualisation and structure advice by LP scape


Presentation board design by Young Sam Kim, Jungfeldt
Mark