Works
2022
Romantic Storage
Slicing Space
2021
The Shiny Feathers of a Peacock
Slicing Time2020
s.e.v.e.n r.o.o.m.s
2019
Form is romantic storage of fragmented information.Pink Swan (180,180,180)
not just tiny but abstract
2018
Sforzando part 2
Sforzando part 1
Accidental Rectangle
2017
four sides transportation
3.125 m²: the undefined shape
1:1, 1:1:2
+z: for 59 dots by impulse signal, T002 59.0sec
2016
How to draw a hotel room
+z : AMADO for sine No. 01
magNIP-unbetiteltes Buch
2015upsidesidedown
Publication: A – B
32A0
0.03 sec.
Angles of color
Perspective of a pillar
Angles of paperArpeggio/broken chord
2014
I cannot see it. There is a hole. I see too much
Four Sides-Variation
Unbetiteltes Buch
2013
Gut Häusern 2
79.853cm, Sparkassenstraße 3, 80331 Müchen
Three angles
48°09′04″ N 11°34′53″ E 29°49.28′ N 5°44.05′ W
Titel=0.0 Newton
At the moment
Eigen+Art Lab 50422cm2012
X′
Mountain school
visual ordernity
2011
The white window
A little bit more light
Two Suns
Drawings
About
CV
Arpeggio/broken chord
Arpeggio/broken chord, Metal, lacquer, acrylic pins, A7 – 4A0, edition of 3 + 1AP, 2015
Arpeggio is a musical term for a series of notes in which the single notes are not played at the same time, but one after the other in a sequence. This interplay can also be regarded as broken or dissolved. The sculptural group “Arpeggio/Broken Chord” assigns this state to the line in three-dimensional space: The line can only happen in this space, but it cannot actually be drawn in it. Shinae Kim investigates this observation by transporting the line from the standardised paper format into the dimensions of the surrounding space: Lines take form as objects, made of coloured metal, leaning against or floating on a wall. In this case, the colours refer to certain standardised formats which assemble into new ones in a colourful sequence.