Works
2024
Configuration-Event
2022
Romantic Storage
Slicing Space
2021
The Shiny Feathers of a Peacock
Slicing Time2020
s.e.v.e.n r.o.o.m.s
2019
Form is romantic storage of fragmented information.Pink Swan (180,180,180)
not just tiny but abstract
2018
Sforzando part 2
Sforzando part 1
Accidental Rectangle
2017
four sides transportation
3.125 m²: the undefined shape
1:1, 1:1:2
+z: for 59 dots by impulse signal, T002 59.0sec
2016
How to draw a hotel room
+z : AMADO for sine No. 01
magNIP-unbetiteltes Buch
2015upsidesidedown
Publication: A – B
32A0
0.03 sec.
Angles of color
Perspective of a pillar
Angles of paperArpeggio/broken chord
2014
I cannot see it. There is a hole. I see too much
Four Sides-Variation
Unbetiteltes Buch
2013
Gut Häusern 2
79.853cm, Sparkassenstraße 3, 80331 Müchen
Three angles
48°09′04″ N 11°34′53″ E 29°49.28′ N 5°44.05′ W
Titel=0.0 Newton
At the moment
Eigen+Art Lab 50422cm2012
X′
Mountain school
visual ordernity
2011
The white window
A little bit more light
Two Suns
Drawings
About
CV
The Shiny Feathers of a Peacock
The Shiny Feathers of a Peacock, 2021, 3D printing and chrome plating, dimensions variableWould it be possible to understand a museum building as an organism? Just as biological beings constantly change through cell divisions, are non-biological beings forming new relationships and transforming over time? The project materializes the process of inanimate beings, animate beings, and their surroundings interacting with one another and building relationships. The solar radiation in Seoul on September 17, 1979, the year that Arko Art Center opened, is divided into 24 hours and presented as patterns on 24 bricks. On September 17, 2021, which is 42 years from the year 1979, these patterns are put into new forms and installed between the red bricks of ARKO Art Center, forming new connections among the building, audiences, and the surroundings—the process of the building’s subjective change—is what this project intends to visualize.
nothing makes itself - ARKO Art Center